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GOLD - EP

by Canopy Hands

supported by
Fred Jeffers
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Fred Jeffers Treat yourself to some quality musicianship with this original and compelling blend of Pop, Alt Rock, and Prog. If this effort is any indication of the stuff to come, buckle into your seat as we are in for a most enjoyable ride.
Tyler Bower
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Tyler Bower These boys will be the next big thing or ill eat my hat. Favorite track: GOLD.
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1.
GOLD 07:00
For every season, a cover color, to categorize, so that I won't forget my inner reflections, she listens to me, but only for a moment, then looks right through me you got a brother, sister, Goldilocks? step into my orgone box, you're always looking for the compromise, the middle ground to advertise, twenty minutes, call the cops, step into my orgone box, everyone's got a story, let's hope I don't forget mine every time I hear that song it flashes to me images of gold still I'm waiting for that song I'll write it, send it off and then I'm gold give me all your love and then I'll write about it, mark it up it's gold feeling all my feelings like you put me in a daze, I'm seeing gold I sent a message, she didn't get it, she's busy making amends to break me down, I have a story, I thought I told you, it's slipping my mind, I'll have to go take it back I'm making angles with my other arm, sweating, pulling off the charm, I'm always reaching, never got my grasp, I never plan to trying to write about the last few months gives me headaches, tears me up, everyone's got a story, I don't know mine every time I hear that song it flashes to me images of gold still I'm waiting for that song I'll write it, send it off and then I'm gold give me all your love and then I'll write about it, mark it up it's gold feeling all my feelings like you put me in a daze, I'm seeing gold every time I hear that song, still I'm waiting for that song, every time I hear that song, still I'm waiting for that song, every time I hear that song, every time I hear that song, every time I hear that song, still I'm waiting for that song
2.
Nebulous 05:20
Left my keys by the door, forgettable, au revior introspective reverence, is only useful in the past tense if I knew what to do, I doubt that I'd know how to do it and if I knew what to stand, I doubt that I could ever endure it oh, it's like face, to the face, of a similar race, with a courtesy call from the marbled glass ball, and I can't, for myself or my friends, reprimand, all the planetary, ah ripping out by the spine, these pages of paradigm, introspective dissonance, it haunts me all the way from my past tense, if I knew what to do, I doubt that I'd know how to do it and if I knew what to stand, I doubt that I could ever endure it oh, it's like face, to the face, of a similar race, with a courtesy call from the marbled glass ball, and I can't, for myself or my friends, reprimand, all the planetary, ah
3.
Headweights 03:35
they are what you are, when you look back and see, when you lose hold of scale reveals how far, I know that it happened to me, more or less it's just a fault in sight, if you can't picture that then you won't try and question in new light what you are looking at, you'll find you can see so far, on headweights, it's too much you can see, so far, on headweights, it's too much you can see, so far, on headweights, it's too much you can see, so far same as al- same as al- same as al- same as always you can keep trying, they will be falling, you will be shaking, overwhelmed by the questions of self-worth, if you're not good enough, then why try to keep reaching for rebirth? just admit that it's tough, you'll find you can see so far, on headweights, it's too much you can see, so far, on headweights, it's too much you can see, so far, on headweights, it's too much you can see, so far
4.
Take it Off 03:00
If your arm gets caught up, cut it off, take it off, your psyche, defend it, don't let him control it, when it comes, it hits hard, blind-sided, I'd like to know a-a-all know it a-a-all know it a-a-a-a-a-all know it a-a-a-a-a-all If your skin confines you, take it off, trade it off, faded out of vision, can't retrieve what's missing, if you let your aim drift, it's your fault, you should have known a-a-all known it a-a-all known it a-a-a-a-a-all known it a-a-a-a-a-all And if it feels like it's been dragged out from under you, you've lost it all, where did it go? it left so soon, because you just refused to take it, take it take it, take it take it, take it take it, take it off
5.
Villa 03:59
Bleakest villa in electric blue and a sun-parched lawn with a heart of palm, the sunrise twice each day, the window at the west faces the bay Bleakest villa in electric blue and the patio tiles are stripped away, sand with silver plume, covering the dune, in wake of noon, I've been wilting away at the bay It's such a shame to settle down because I wrought my passion for the future tense, the present that once was an impedance, is out of mind on the balcony over the bay This isn't what I thought it would be, at least now I can find the time to make up for sleepless nights and I'll drift off tonight

credits

released September 5, 2014

Engineer - Christopher Scheu
Producers - Thomas Hickman and Christopher Scheu
additional mixing done at Wheelwright Studio

cover photograph by Lee Hickman
cover design by Thomas Hickman

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Canopy Hands Charleston, South Carolina

Thomas Hickman
Christopher Scheu
Fisher Wilson
Robert Johnson
Jose Rangel

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